The Wildflower movie review

The Wildflower is directed by Biodun Stephen, the film takes viewers on a journey of pain, trauma, and resilience as the women struggle to overcome the oppressive forces in their lives.

The first character we meet is Rolake, a 24-year-old woman who lives with her sister and brother-in-law. Rolake endures daily harassment from her brother-in-law, who constantly leers at her and makes inappropriate advances. Despite her sister’s indifference and lack of support, Rolake decides to take a stand against her abuser. She starts by challenging his behavior and, eventually, taking legal action against him. Rolake’s story is an inspiring tale of bravery and the power of speaking up, even when it feels like the world is against you.

The second character, Wura, is a successful businesswoman in her thirties who is married to a wealthy and influential man. On the surface, Wura’s life appears perfect, but behind closed doors, she endures physical and emotional abuse at the hands of her husband. Wura’s story is a harrowing reminder that abuse can happen to anyone, regardless of their status or wealth. It also highlights the difficulty of leaving an abusive relationship, especially when there are financial and societal pressures to stay.

The third character, 16-year-old Dara, is the daughter of a single mother who struggles to make ends meet. Dara’s life is turned upside down when she is sexually assaulted by her neighbor, a married man with children. The assault leaves Dara traumatized and unable to confide in her mother, who is too preoccupied with her own problems. Dara’s story is a poignant reminder that sexual assault can happen to anyone, regardless of their age or background.

One of the strengths of The Wildflower is its portrayal of the complex and intersecting forms of oppression that women face. The film explores how patriarchal norms and values intersect with class, education, and other forms of inequality to perpetuate violence against women. It also sheds light on the impact of rape culture and victim-blaming on survivors of sexual assault.

The film’s visual aesthetics and sound design are also noteworthy. The use of muted colors and minimalist sets creates a sense of claustrophobia and confinement, mirroring the suffocating reality of the women’s lives. The film’s score, composed by Michael ‘Truth’ Ogunlade, is haunting and melancholic, adding emotional depth to the already powerful performances.

Despite its heavy subject matter, The Wildflower is not without moments of hope and triumph. The film’s conclusion is a testament to the resilience and strength of women who refuse to be silenced or oppressed. It is a call to action for viewers to stand in solidarity with survivors of abuse and to fight against the systems and structures that enable violence against women.

In conclusion, The Wildflower is a powerful and timely film that shines a light on the lived experiences of women in Nigeria. Its unflinching portrayal of abuse and assault is a wake-up call for society to take action against gender-based violence. The film is a must-watch for anyone who wants to better understand the complexities of gender-based violence and to stand in solidarity with survivors.

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